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The Disruptors 6r1a5h

The house the robots built d613t

by Ben King d1j45
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If robots built your house, what would it look like? 6v6k13

Construction has been slow to adopt new technologies. 2z2836

But that is changing fast as robots, drones and 3D printing are making construction more efficient, and more creative. 2z5z5s

Why are walls always straight? Why does it cost so much to build them? And why do big construction projects so often run late? Construction has always been a conservative industry, used to doing things how they have always been done.

But a new wave of innovation is coming, which will change what buildings look like, how they are made, and who wins in the new era of the construction industry.

Architects have always been limited by what their builders can actually make. But if robots were doing the building, all sorts of new possibilities open up.

Straight walls partly exist for the convenience of builders and architects - but for a robot, a curved wall is almost as easy. So at the DFAB House, a small test building in the suburbs of Zurich, Switzerland, the main wall follows an elegant, irregular curve. It’s built around a steel frame, welded by robots, which humans would have found almost impossible to construct unaided.

Even stranger, the roof consists of a series of flowing, organic ridges, which look as if they were secreted by a giant insect. Awkward to dust, perhaps, but designed by computer and made with 3D printing to achieve the same strength as a conventional, straight roof, yet with half the weight.

The house, built by Switzerland’s National Centre of Competence in Research in Digital Fabrication, demonstrates what a computer-designed, robot-built house could look like.

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Robot Builders 4e6o1i

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“What we are trying to do is rethink the way we design and build, now that we have digital technologies and robotics,” says Konrad Graser, project manager at the DFAB House. 1q513w

“If you think about how buildings are built today all these processes have a long history - but they are all designed to be executed by people,” says Mr Graser. “So they are taking advantage of all the talents people have, all the things people are good at. You can’t just transfer them to a digital tool or a machine.

“So what we are trying to do is take a step back and think about what the machine is good at and what the robot is good at, and really rethink the way that we build.”

The DFAB House showed how robots can play a role in construction, indoors and out. Robots build the wooden sections which form the upper floors of the house, and welded the steel frame of the curved concrete wall. Mr Graser calls this “3D printing with steel”.

From Russia to Dubai, to the Netherlands, architects and builders are experimenting with the possibilities that new technologies such as 3D printing open up.

Robots are being built for all sorts of construction tasks, which are often heavy, repetitive and dull - perfect candidates for automation. There are robots which can install drywall, lay bricks, or lift heavy objects, though they are a long way from replacing humans altogether.

For instance, SAM, the “semi-automated mason” developed by a US company called Construction Robotics, has been used on a number of construction projects in the US. It can lay an accurate course of bricks with mortar, but still needs a human tender to measure the site, set up the robot and tidy up the external surface of the mortar afterwards.

And while these may open up exciting new design possibilities, their biggest impact will be on the economics of building projects.

When the earth is first moved at the start of a construction project, it will often now be under digital guidance. The Japanese company Komatsu now sells diggers equipped with GPS technology which know, to within a centimetre or two, exactly where the bucket edge is scraping the ground.

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Diggers and drones 2r25y

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The BBC tried one out at the Komatsu facility in County Durham, England. With no prior experience of operating heavy construction machinery, a reporter was able to create a reasonably flat surface, at the correct height described in the digital plan on the digger’s onboard computer.

No matter how hard you push the levers, the bucket will not dig below the level defined in the plan. So once you’ve scraped away everything you can, what remains is the correct, flat surface.

Without this protection, even experienced operators can easily dig too deep, and it costs money and time to restore the earth to the correct height and density.

Best known as a vendor of diggers and bulldozers, Komatsu is trying to reinvent itself as a complete provider of digital construction tools. Armed with a shovel-load of valuable data, it hopes to get involved in construction projects at the design stage, and remain involved all the way through.

“In the future we won’t just sell you a yellow metal digger,” says Richard Clement, Deputy General Manager of Solution Business at Komatsu. “We’ll sell you a hole in the ground.” t4t4d

To check progress at the end of a day of earth moving, the company now sells a survey drone that can fly above the site and, in less than an hour, create a precise map of what has been done and what still needs to be finished.

There’s a lot of buzz around drones for builders. The investment bank Goldman Sachs reckons that construction will be easily the biggest professional market for drones, exceeded only by the military.

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Ready-made homes 3662i

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But construction sites are not ideal environments for high-tech kit. They are dirty, messy, and full of unpredictable things - humans, vehicles, and the weather. So in the short term at least, robots may make their biggest contribution away from the construction site itself.

The top floors of the DFAB House were built by two robots which never went outdoors. Mounted on the ceilings of a large factory space, they worked together to cut, drill and position the wooden of the frame, and they were delivered by truck.

This form of building, now known as “off-site” or “modular” construction is becoming far more widespread. Once known as “prefabricated building”, it was associated with poor quality, cheaply constructed buildings, such as those built in the UK to house people made homeless after World War Two.

But prefab is making a comeback across the world. In Singapore, the government hopes to have a third of new homes built by the government’s Housing and Development Board made with prefabricated units, in a bid to increase construction productivity by 25%.

Rooms are constructed precisely out of concrete in factories, painted, wall covers and floorings applied, and windows and bathrooms fitted, before being assembled into buildings on site.

But prefabrication is not just a way to make boring grey apartments a bit cheaper. Disruptive companies are using it as way to deliver new buildings to the highest design and environmental standards at affordable prices.

In Reno, Nevada, Ukrainian-born Maxim Gerbut’s firm ivDom is updating the concept of prefabrication for the 21st Century.

Manufactured out of plastic composites using its own 3D printing technology, its mobile houses are 36 sq m (387 sq ft) in area, and exceed the most exacting standards of energy efficiency, called “ivhaus”. This enables them to stay heated and lit by solar s alone, with no connection to the grid.

Mr Gerbut jokingly calls it the “zombie-proof house”, as so little heat or sound escapes that undead monsters who rely on those senses to find prey would have no idea that anyone was inside.

And prefabrication will make it possible to build them relatively cheaply, in places far from mains power and water, where construction labour would be tough to find.

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And above all, it should be quick. A regular house “usually takes at least one year. If you can buy a prefabricated house on stock you can call today and we can deliver next day,” says Mr Gerbut.

And from the other end of the spectrum, Revolution Precrafted, the first ever “unicorn” $1bn start up from the Philippines, is using prefabrication to deliver homes from international star architects at off-the-shelf prices, in less than three months.

“This system creates opportunities for developers to speed up their timetables and product delivery resulting to considerable savings and profits. They can then bankroll other projects simultaneously,” says Robbie Antonio, the company’s chief executive.

And prefabrication should help to tackle the biggest challenge facing the construction industry - productivity. In many countries the amount of work done per worker per hour has been flat or even falling, while in other sectors it has soared, driven by new technology and new ways of working.

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Better ways to build 3u4q6f

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Compared with vehicle manufacturing, construction is a highly fragmented industry, which has been slow to adopt new technologies and ideas. But that has begun to change.

Building firms are under pressure to be less wasteful, and to deliver buildings which are more environmentally friendly and cheaper to run.

Meanwhile, the promise of greater efficiency is looking too tempting to resist. The consulting firm McKinsey estimates that technology could cut 20-40% of the cost of construction projects.

That creates a glittering prize for any firm that can capture it, says Jose Luis Blanco, a partner at McKinsey, who advises big construction firms.

“Whenever you see a disruption like the one we see coming here, you always see a huge value pool being created. That value pool is not going to be divided equally amongst the people that are now players.

“What I can tell you with certainty is that not everyone that is here right now is going to be here in five or ten years’ time.”

After decades of crawling along on in the technological slow lane, the industry is waking up to the impact that new ways of building will bring.

Many builders are looking at the world through digital eyes and thinking, “Why do we do it this way?”. And the future they see for us will be very different.

Credits 5x84l

  • Writer: Ben King
  • Series producers: Philippa Goodrich and Ben King
  • Camera: Juan Dominguez (Spain), Fabian Chaundy (Switzerland), Cody Godwin (USA)
  • Production team: Dave King (USA)
  • Designer: Laura Llewellyn
  • Picture credits: BBC, schwarzpictures.com (Switzerland)y
  • Editor: Robb Stevenson
  • Commissioning editor: Mary Wilkinson

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